Saturday, April 11, 2009

photo: Italy hearts il bassotto



Doggie bag in shop window of Chopin apparel-accessories boutique near the Metro Termini station, Rome, April 3, 2009.

The color is a very popular one this season - to think I just tossed out a pair of probably-fixable Spanish espadrilles from 2005, when lavender was something you wouldn't be caught dead in.

Friday, April 10, 2009

photo: sidewalk artist at Piazza Navona, Rome




When I was ten, I promised myself I would do this when I grew up.

Photo taken April 3, 2009.

Thursday, April 09, 2009

Wednesday, April 08, 2009

In Rome

About the only way I can manage to write text for this blog is to post excerpts of something being written for a different purpose, in this case a letter to friends --

"Thursday, April 2, we headed for the Vatican museum first thing. We had heard we would have to queue up to enter, and were relieved to discover this was not the case. This early in the season there were many foreign tourists, a good many of them students on school trips, and many Americans besides. So it became a game to keep ahead, or behind, these large groups of people, though sometimes it was fun to eavesdrop on a tour guide speaking English. Raphael's Stanzes and of course the Sistine Chapel were the high point of the tour and it was a fantastic experience to see these images that hitherto I had seen only in art books, most of them smoky and grimy. The frescoes, brilliantly colored after the restoration work of the last 20 years, were simply amazing. There were many other wonderful aspects of the museum, including the antiquities and the very building itself.

"We wanted to visit St. Peter's basilica, but were surprised at the length of the queue in the square outside, which was not moving. It was only the following day that we remembered that April 2 was the fifth death anniversary of John Paul II. So the people in the square must have been waiting for the end of memorial rites of some kind within the basilica. We mustered the energy to visit the Scalinata della Trinità dei Monti (the Spanish Steps) instead, where a bride and groom suddenly appeared and kissed several times as the crowd gathered at the staircase cheered. People took photos and video, and we're sure those kisses have turned up on a few travel blogs this week! Then we walked to the Trevi Fountain, which was so crowded with people we literally queued up to get a slot to have our picture taken and throw a coin with right hand, over left shoulder, to make sure we would return to Rome. Then to the Pantheon, peering into the windows of some legendary boutiques along the way. The place was crowded, too, mostly with students (American by the sound of them).

"The following day, Friday, we headed to St. Peter's basilica, and this time managed to get in after just half an hour. (It's much more popular than the Vatican museum -- perhaps the 12 euro entrance fees at the latter act as a deterrent). Again, at least for me, there was that feeling of unreality, of being in someplace you had always heard about but did not expect to visit. Our visit was pleasantly lengthened by the appearance of an ambassador and his entourage on their way to visit the Pope. There was much pomp and circumstance. First the basilica marshalls held back the crowd, then came Swiss Guards, some religious persons in robes and the ambassador and his wife and three young women in black (complete with veils) who must have been daughters. The whole entourage appeared to have come from some Latin American country. They seemed incredibly wealthy and chic. They paused at the altar containing the Pieta, and then again at the altar before the great apse, where the ambassador and his wife knelt and the daughter snapped photos. The crowd snapped photos of them too -- we felt like papparazi! Totally unexpected, theatrical things seem to happen on an everyday level in Italy.


I love the juxtaposition of black veil and killer stilletos on one of the young women, standing beyond the religious personage in purple robes.


"From the basilica, we walked what seemed a great distance (given that we were on our last legs after two weeks of sightseeing) to the Forum and, beyond it, the Colosseum, passing by the infamous monument to Vittorio Emanuele. We knew we were approaching the Colosseum -- something quintessentially Roman -- because we began to see more and more people costumed as gladiators, happy to pose with tourists for some euros. The Colosseum, with its crowds, has certainly changed from the day when Henry James used it as a setting for a scandalous tryst in his novella "Daisy Miller". Then, it was silent, moonlit and mysterious, not to mention malarial. There, I found a bevy of noisy Italian high school students, among others, and witnessed a group of the faithful going through one of the stations of the cross, in preparation for Easter. Again, another reminder of the legacy of ceremony and ritual in this part of the world."

***

We are following the coverage of the earthquake in central Italy with concern and sympathy for its victims.

Monday, April 06, 2009

photo: Suchart and Sridawryang




At the home of acclaimed writers Suchart Sawasdri and Sridawryang in Bangkok, September 2006. Suchart, Bing, Sridawrang, Vagn.

Sunday, April 05, 2009

photo: Kawai, Hawaii, April 2007



Celebrate Reading literary festival, Hawaii, April 26-28, 2007, organized by Lorna Hershinow. Participating writers following a presentation (readings and discussion) at the high school in Kauai island). Back row, from left: Celestine Vaite, Graham Salisbury,Chip Hughes, Adam __ who was the emcee; and, front row, from left, ___ Lakambini Sitoy, Lynne Cox, Cris Crutcher and Ian McMillan.

Would appreciate if readers could help me fill in those blanks.

Saturday, April 04, 2009

the library as playroom

Manuel L. Quezon III has written a brilliant essay on his book-filled childhood, without cynicism and full of faith:

http://archive.inquirer.net/view.php?db=0&story_id=55017

This excerpt, on the drudgery of formal education, makes me smile: "What sort of a life is this, I perpetually asked myself, that condemns us to be trained, like little dogs, to urinate ink on pieces of paper, and then to derive satisfaction from being praised for the performance?"

Friday, April 03, 2009

photo: from Il Giudizio Universale e L'Inferno



Detail of an engraving based on a fresco by Buffalmaco in the Camposanto, Piazza dei Miracoli, Pisa, titled "Il Giudizio Universale e L'Inferno." A print of this engraving can be found in the Museo L'Opera at the Piazza.

What kind of man

What kind of man tells his terminally-ill wife, "Ang pangit mo, ang baho mo, kaya lang ang sarap mong kantutin?" The memory of how she looked as she confessed this to us -- her attempts to understand ("it was almost midnight," "he was drunk" "I had been fixing some food and had't had time to tidy myself"), and the soft, sheepish, apologetic way in which she spoke ("this will make you angry, alright?") -- keeps me up at night.

Thursday, April 02, 2009

Wednesday, April 01, 2009

photo: violas



A bed of pansies (violas) at a small square near the center of Pisa, March 30, 2009. In this city they seem a favorite winter flower for public parks and such, in other parts of Italy we visited we saw them brightening up window boxes and tubs at the entrance to restaurants and shops. The style seems to be to mass them in, all colors at random, different from the usual style of equally spacing plants of the same color bloom. In the cool weather and bright sunshine they grow HUGE.

An Il Vespaio (Hornet's Nest, 1970) blog

I have a new project: a fan blog titled " The Boys of Il Vespaio ", with a subtitle that mirrors this (I ragazzi del Hornet's ...